On the blown-up detail (image fourteen) you'll see the stipple effect used for shading and texture. Type fans will notice the three alternate lowercase d's in the introduction page.
Whoever had the original book left a postcard tucked in one of the pages, postmarked Chicago, December 16, 1940. PA Grey posed a query to Cecil Smith the Chicago Tribune drama critic. The front shows a chanteuse from Franz Lehar's The Merry Widow operetta.
|Partial blow-up of the previous image to show the stipple technique|
used to create shadows and texture.